Just before we got to Málaga, Karen
was reading a mystery novel set in the Costa del Sol. Málaga is the gateway to
this stretch of the southern Meditteranean coast. Its cheesey highrise beach
towns - Torremolinos, Fuengirola, Marbella, etc. – are home to tens or
hundreds of thousands of expat northern Europeans, and are a huge lure for winter
visitors.
The novel suggested the area
was hopelessly crime-ridden and violent. That in particular, it was a haven for
the Russian mafia, which operates here almost with impunity. He was of course
exaggerating for effect. We didn’t expect to see any sign of this on the
ground. But one of the first things we did discover here was the existence of a
brand new Russian museum, a branch plant of the State Russian Museum in St.
Petersburg. Since that museum is an agency of Putin’s kleptocracy, I suppose it
is an emblem of Russian-based crime in the region.
This was nevertheless Shelley’s
choice for our activity of the day on Tuesday. I was more than happy to go
along as the temporary exhibit right now is about Wassily Kandinsky, the great
Russian abstractionist of the early 20th century, and one of my favourites. I
can never go to the Met in New York without standing for awhile in front of the
fabulous Kandinskys in its collection.
The Málaga museum is in an old
tobacco factory in the suburbs. On the map, it looked like a reasonable walk,
and it was, but it was a little longer than we thought: about 4 kilometers. We
walked down through the old city to the harbour, past the ferris wheel, then
out west (and south) along the seafront, through the commercial port. Some of
the route wasn’t very picturesque, but we eventually came to a suburban beach
area with restaurants and bars and locals out enjoying the sunny holiday.
Signposting for the museum was
not great, but we did eventually find it. It’s housed in a complex that also
includes an automotive museum. Either they had moved some of the collection outside
on this sunny day, or they were sponsoring an antique car rally – possibly a
bit of both. In any case, there were 20 or 30 gorgeously restored old cars
parked in the forecourt, glinting in the sun. Shelley and Karen sat at a little
outdoor café and had a coffee and some kind of bun while I photographed the
cars.
The Russian museum was good. Or
I should say, the Kandinsky exhibit was good. It attempts to show the
influences in his work of his Russian-ness, and does it quite effectively by
showing early figurative works alongside the kinds of folk art and religious
icons that inspired his use of colour in particular. And alongside works by
other Russian artists of the day.
The exhibit is not a
retrospective, though. Its chronology ends when Kandinsky left Russia for good
in 1923 (he died in 1944 in France.) As a result, it’s a little light on mature
masterpieces. The cover painting for the Bluereiter manifesto is here, and some later abstracts. But there is
nothing as mesmerizing or joyfully colourful as the Met’s Kandinsky’s. Still, I’ll
take it.
The other exhibit uses art and
artifacts to trace the history of the Romanov royal dynasty in 17th through
early 20th century Russia. Much of the art was ordinary at best. IMHO. There
were some very impressive story pictures in 19th century realistic style,
mostly of battle scenes and other historical subjects, though. (The one below is called "The Hen Party.") The history didn’t
interest me that much, and the art was uninspiring. I did what I rarely do in
galleries, galloped through to the end, leaving my companions behind. It’s
usually me that straggles out last.
We wimped out and took a cab
back into the city. We walked around the centre for a half hour or more, looking
for a place to have a light lunch. We finally settled in an outdoor tapas bar
and had just-okay tapas and drinks. By then it was late afternoon and we were
all tired, so we headed back to the apartment for the evening. I cooked our
market sausages, which were tasty but a tad greasy.
The next day, the Wednesday,
was Shelley’s last with us in Málaga. She was leaving for Marbella in the early
afternoon to meet up with some Canadian friends who winter in a village near
there. It was mid-morning by the time we got going. The big activity of the day
was a return to Alfajar, the ceramics shop, for Shelley to buy her wedding gift,
and Karen to, maybe, splurge on a new purse. I left the ladies to it and went
out into the sun and shot pictures of the cathedral.
It turned out it would cost
Shelley an arm and a leg to have the bowl she’d selected shipped home, so she
decided to have them pack it up and she’d take it on the plane home with her
carry-on stuff. Karen, meanwhile, had decided she would buy her purse, and did, and was very pleased with it. I
thought it looked like a 19th century soldier’s ammunition pouch, except for
the pieced leather design, and the shoulder strap. While Shelley’s bowl was
being wrapped, we sat at a nearby café. Or the ladies did. I did only briefly,
then got up to take more pictures.
Once we’d collected Shelley’s
package, we meandered back to the flat, stopping on the way so Shelley could
buy rolls to make sandwiches for the 45-minute cab ride to Marbella. (Yes, of
course, there were public transit options available, but Shelley is Shelley.
She would take a cab from the taxi rank just up the street from us. Convenient
no doubt, but it ended up costing her €65.)
We had an hour and a half or so
back at the ranch, then we walked Shelley up to the cab rank, saw her off the
premises and went home for lunch.
In the afternoon, we walked
down to the beach and sat on a park bench reading our books in the sun. My god,
what a pathetic couple of old duffers! We watched two big
dragon-boat-size rowing vessels – I think they’re patterned on rescue boats - with seated
rowers on either side. They were obviously training for a race. We also
marveled at the crazy northern Europeans sunbathing in swimsuits, despite the rapidly
cooling breeze. Some weren’t young either. One couple who had been lying out on
the sand most of the time we were there – well, she was most of the time strutting around, showing off her trim bikini-clad body – came and sat briefly on a bench near us
while they packed up. They were in their forties, I’d say.
When the breeze got too cool
even for sweaters and long pants, we packed up too and walked home via the
Roman theatre and the cathedral. More picture taking ensued.
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